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About me

I am mostly concerned with form and abraction. My sculptures are not simply abstract forms but always take on an anthropomorphic quality because of my fascination in people and relationships. I need to give my work an emotional charge, which transpires into dynamic and sensual sculptures.

My forms develop through drawings and often a wax maquette, looking at structure; light and shade; fluidity and balance.  The work is then ready to be sculpted, the process of which inevitably changes the work once more, when my energy transfers to stone.

I am constrantly trying to produce work that transcends the difficulties and ugliness of modern life to evoke a vision of calm and contentment. I want the spectator to feel the world I am trying to create, ethereally, and in reality by touching it with their hands.

 
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Training & Awards

  • Duke of Gloucester Award for Excellence in Stone Carving, The Worshipful Company of Masons

  • Higher Diploma in Historic Carving, City & Guilds of London Art School

  • BA Hons degree in Fine Art, Newcastle University

  • Merit in Fine Art Foundation Studies, Chelsea School of Art & Design